What really sucks is how many times this conversation has started, only for the trans person to (very logically and understandably) react internally with “Ohhh boy, here we go, another one of these backwards bigots. I’m just going to yell to make myself feel better.”

Then the ignorant individual feels attacked, gets defensive, and feels satisfied in their belief that trans people are hysterical or something.

I don’t even blame anyone so much for that. Being patient with every single transphobe just in case they’re a reasonable person takes far more energy than I have.

my girlfriend is 14

dials FBI

I mean, given the fact that this affected Joe Biden up until this announcement, and no medical examiner announced it previously, it does seem plausible.

As a reminder, the claim that Hamas built a command center under Shifa Hospital comes solely from the IDF. They have rejected offers to have an international delegation of journalists freely roam the area to verify the claim.

Could we consider this to be a dilemma of preservation?

Let’s take something innocuous and specific, like a package of food. We want it to be airtight and safe from bacteria until a human tears it open and eats it. But once torn open, we want it to disintegrate.

Now, if we make this bacteria and allow it to spread, the same problem exists as if we were to package that food in a wooden container, or a paper container. The material is now “weak” to ambient attackers.

“Wrong direction” sums up my anger towards everything FromSoft.

Two Soulslike games I really enjoyed though, are Tunic, and Another Crab’s Treasure. Both are generally pretty rewarding of exploration, but also tightly guide you at the beginning. I honestly just don’t feel like FromSoft is very fair when it comes to early exploration. One path utterly destroys you and has no reward at the end.

My first PlayStation was a PS3, and thankfully, around then they were still releasing a number of ported “trilogies”.

Even though mine was not a backwards compatible model, I was also able to play digital versions of the Fatal Frame series, which is sadly now pretty much inaccessible.

I never played Jax, but I saw an analysis of its vector-based facial animation, where there were few enough vertices for animators to directly tweak; and it does feel like a nostalgic way to make cartoony, expressive faces.

It was only recently I saw that Blue Prince did not make a PS4 release, which surprised me - quite a lot of games even in the past year have still put that out when there’s nothing in them that’s highly demanding. Usually, it just means it hovers around 25-30fps.

It did sound like the initial comments were taken from Discord, not an interview, which to me paints it in a different light.

I’m sure I’ve claimed to be the Queen of England on there once.

What most people get irked about is loss of ownership, which can be a separate topic with careful management. For instance, if you buy an ItchIO game, there’s no DRM and you can copy it anywhere - I imagine many would be fine with digital downloads if everywhere used that system, but on the corporate side they’d likely be grumbling about piracy.

Did this happen because of Google API pricing changes?

I was a mega-fan of both Ori 1 and 2. I’ve got a mug based on the first game, but when I first saw the trailer for this game, nothing about it interested me. Kind of like the Xbox 360 era of “brown and gray cover shooters” I’ve never understood the appeal for grim, depressing medieval worlds. I like having some vibrancy and inventiveness, as well as some motivation behind the violence used to achieve some end.

One of the only Soulslike games I’ve finished is Another Crab’s Treasure. The story/setting in that game ends up being pretty depressing, but it at least maintains a lot of humor and colorful design.

What’s more, I looked through the negative reviews, and a lot of them touch on incomplete or over-punishing systems, rather than seeming motivated by external factors.

I wouldn’t see it SO negatively. If they were paying people for reviews, then yes, that’s corruption; but every YouTuber uses phrases like “Drop a like” and it’s considered normal. When you worked hard on something, I think it’s common to ask for a positive review. People are sentient enough to choose whether to do so.

The most secure device ever made is a Rock.

You cannot have your bank account stolen from a Rock. People will never get your personal files or medical info from a Rock. People will never spy on you through the Rock.

But you also can’t do much with a Rock.

Maybe I’m bitter, but I’m still not ready to forgive them for their treatment of Mick Gordon. Plus, they’re part of Microsoft Studios, who are now openly okay with genocide.

Overwatch 2 situation. We just add numbers now to excite people.

It seems like there’s a few studios that get this trick. Hazelight (Split Fiction, It Takes Two) seems to have a good cadence to releases and likely hasn’t inflated their size all that much. They’re consistently making good games.

I wish there were more examples of that.

Does this apply to all Hoyoverse games? Never got into Genshin, but I enjoy Zenless Zone Zero.

Seems like a tragedy of MMOs when they want to introduce what’s new to returners, but then deliver an avalanche of “new stuff” to people brand new to the game.

I suppose I’ve plugged it recently, but Another Crab’s Treasure.

It opens pretty plainly as an ocean-based Soulslike parody with a simple story premise and some self-subverting humor in the dialog with other crabs. As you go on though, every 20th conversation becomes really pointed and real-world-connecting, going beyond just “pollution bad”. It’s not quite Spec Ops: The Line, but it at least has something to say about society.

The combat is frustrating but addictive, much like Souls games - and it’s okay with handing off a number of allowances like accessibility modes and tip systems. It’s even helpful that, if I die to a glitch or something bogus, I can actually just choose to re-obtain my microplastics (souls) through a menu.